![]() At this time recording technology was changing rapidly and there was demand for higher precision record players. Masukichi had sold all of his premises and equipment to Sawafuji Electric Co., where Saburo took up employment as an engineer after the war.īusiness was so good that by 1947, Saburo raised his capital investment in the new firm, bought back the Kamata plant from Sawafuji and changed the name of the concern to Akai Electric Company.īy 1948, Akai had started producing and selling phonograph motors. Only ten days after getting married in 1939, Saburo Akai received his military enlistment papers The new business generated by the production of electrical motors allowed the father / son team to move their facilities from the backyard premises to a factory in Kamata in 1933.Īkai foundered at the onset of the Second World War. This was a time when the first 16mm movies were being made in Japan. The motor Saburo eventually designed caught the attention of a company which was making 16mm film projectors. This turned out to be a watershed event for as Akai grew, they expanded into the production of electrical motors due largely to Saburo's new expertise in electrical engineering. Masukichi's eldest son, Saburo, grew up in the factory and later enrolled himself in night school at the Tokyo Institute of Technology to study electrical machinery. Masukichi's business expanded rapidly through the 20's and 30's. was founded by Masukichi Akai in Tokyo Japan in July of 1929 as a manufacturer of radio components, sockets and other electrical parts. The entire 7 hour production is downloadable for $9.95 at this link.Īkai Electric Company Ltd. The Vintage DVD set is not currently available. We always invite input on corrections and updates. We include personal stories about the companies when they are provided to us. While we have strived to provide the best information available to us, there will be corrections and additions. I surmise that, build-quality-wise, the F95 didn't end in the super-extra-monster-league the engineers probably wished for it - just to go tackle bestsellers of the time such as the Nakamichi 1000ZXL or, later, the DRAGON or Sony TC-K777ES.īut the Mitsubishi Bank was after all making sure since 1979 Akai didn't go under the red line.Is a list of information we have gathered from a variety of sources on some of the major analog reel to reel tape recorder and related equipment manufacturers. Of all the features, that part is the one which generally has gone bust nowadays. And display the result througha lot of bright LEDs :) Here it is done separately for the left and right channels, twice for each. The auto-tuning system does what others were doing then (CT-A9, DR-M4, TC-FX1010 etc) in oh-so-slightly different manner : check tape formulation and adjust bias / eq / levels. The black version ( F95BL) is rather rare. Two cassette doors were available (theoretically) : the aluminium blank well-known one and a transparent acryl one which I've never seen for real. The rec/play amps are full DC with Dual-Fets. The capstan motor relies on a brushless Quartz DD with 3-phase-full-wave position detection with a Hall element. GX3 heads (or " Super GX") are normal GX (glass+ferrite) assembled differently with special alloys, a 4µ gap (rec) and 1µ gap (play). The GX-F95 is the culmination of the earlier GX-F91 : outside a massive closed shell like the Pioneer CT-A1, and, inside, a typically early 80s mess of cables and somewhat undistinguished assembly of parts powered by a sizeable transformer, Canon auxiliary motors and an ALPS BLM-100 drive.Īll the modern 1981 features are packed behind a very well designed front : GX3 heads, 2-motor drive, " computer control" for status/settings memory, digital tape counter, auto-tape-type set, 2x 24-segment FL meters with1s peak-hold and Dolby/MPX filters. Last stand for ultra-quality by partly Mitsubishi-operated Akai.
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